Brydie Post 1

Anna Post 1

Anna Post 1

Anna Post 1

Matt Post 1

Ellie Post 1

Ulrika Post 1

Ulrika Post 1

Ulrika Post1

Kate post 1

Reference Link:
http://josasmith.com

Andre post1

kelly post 1

Art of Korea and Western art are very different.
Korean traditional paintings and drawings are more likely flat
and objects and space seem simplified compared to Western paintings.

The houses and clothes people wearing are not very decorative
but I really like the rustic charm and simplicity of the village and people.

I would like to reproduce the images of old photos of Korea or
traditional paintings(of common people's life) by well-known artists in
another tradtional western style, etching, creating new depth of space and another new beauty.

Some links from Amalie

I was looking at the idea of fantasy and the micro/macro organisms existing in our worlds (partially unknown) to etch for printmaking. I have always been fascinated by this idea of molecular forms and tiny universes so this website is absolutely fantastic:

http://spacecollective.org/gallery/

and

http://spacecollective.org/projects/

Print: Bibliography

Adam, R and Robertson, C; Intaglio: The complete safety-first system for creative printmaking; Thames and Hudson, 2007.

Chamberlain, W; The Thames and Hudson Manual of Etching and Engraving; Thames and Hudson, 1972.

Elliot, P (Ed); Contemporary Art in Print; Booth-Clibborn Editions Ltd, London 2001.

Elliot, P (Ed); Contemporary British Art in Print; Booth-Clibborn Editions Ltd, London 1995.

Tallman, S; The Contemporary Print: from Pre-Pop to Postmodern; Thames and Hudson 1996.

Wye, D; Artists and Prints: Masterworks from the Museum of Modern Art; MoMA 2004.

Material provided by Amy

Workshop Structure

Weeks 1 and 2
Development of project idea so from the workshop point of view an introduction to what can be achieved within the time-frame and a look at some outcome options.

Week 3
Students make their first print using material developed in 307 studio time

Weeks 4 and 5
This time will be spent developing drawn material and should also involve the introduction of tone to the image. Students should at this time be thinking and working through ideas around multiplicity and collecting and refining digital or photographic imagery.

Week 6
Students make their first photo-etching

Weeks 7 to 11
Students now have the technical skills relevant to the project brief and should be using workshop time to extend and develop their ideas. Over these five weeks the technician will be available to work with students on a one on one basis.

Student list

Renee Archer
Ritchie Bennett
Sung-Hi, Katherine Cho
Anna, Yun Hee Choi
Matt Coldicutt
Ulrika Jansson
Ellie Jones
Chan Mee, Kelly
Kate Lill
Andre Sampson
Amalie Termannsen
Anna Tokareva
Brydie Wilson

Gardens and buildings

These images from: http://theartofmemory.blogspot.com